Master Shots. Volume 3. The Director's Vision: 100 Setups, Scenes, and Moves for Your Breakthrough Movie

Contents:INTRODUCTIONHOW TO USE THIS BOOKABOUT THE IMAGESCHAPTER 1: ADVANCED LENSING1.1 Long Lens Distant1.2 Long Lens Close1.3 Long Lens Stationary 1.4 Long Lens in Motion1.5 Short Lens Distant1.6 Short Lens Close 1.7 Short Lens Stationary1.8 Short Lens in Motion1.9 The Medium Lens1.10 Cutting the LensCHAPTER 2: ESSENTIAL MOTION2.1 Blended Moves2.2 Camera in Motion2.3 Character Drives Camera2.4 Reveal Moves2.5 Move with Camera2.6 Moving Straight On2.7 Moving Sideways 2.8 Moving at an Angle 2.9 Short Moves2.10 Turns and CurvesCHAPTER 3: DEPTH STAGING 3.1 Character Moves3.2 Crossing3.3 Move to Frame3.4 Moving Point of View3.5 Move to Reveal3.6 Move with Reflection3.7 Reversed Push3.8 Velocity DollyCHAPTER 4: EXPERT FRAMING4.1 Line Cross 4.2 Break Cut4.3 Pan Motion4.4 Push Through4.5 Repeat Angle Push4.6 Tilt Reveal4.7 Rotate Out 4.8 SihouetteCHAPTER 5: SYMBOLIC STAGING5.1 Double Push5.2 Magnetic Characters5.3 Intimacy Break 5.4 High Drag5.5 Power Exchange5.6 Indecision5.7 Isolating Push5.8 Group BreakCHAPTER 6: PRODUCTION DESIGN AND LOCATION6.1 Anti-Establishment Shots6.2 Dirty Frame6.3 Enrich the Foreground6.4 Fake Wall6.5 Framing Through6.6 Framing Focus6.7 Personal Reveal6.8 Reflection Establishment 6.9 Reverse ReflectionCHAPTER 7: DYNAMIC ACTION7.1 Action Shift7.2 Misdirected Motion7.3 Return to Subject7.4 Paused Push7.5 Push Against Flow7.6 Motion Circle7.7 Conveying Speed 7.8 Turn CutCHAPTER 8: SHOOTING PREFORMANCE 8.1 Opening the Scene8.2 Body Acting8.3 Core Close-Ups8.4 Extreme Close-Ups8.5 Angled Talk8.6 Slide into Scene8.7 Owning a Scene8.8 Parallel Space8.9 Separating CharactersCHAPTER 9: CAMERA HEIGHT 9.1 Head Heights9.2 Angle Intrusion 9.3 Angled Heights9.4 Down to Camera9.5 Flatting the Shot9.6 High Angle9.7 Motionless Look-Up9.8 Unseen Face9.9 Low