The Red Thumb (R Austin Freeman Masterpiece Collection)

I was about to turn away when the empty frame of the portico became occupied by a figure, and one so appropriate, in its wig and obsolete habiliments, to the old-world surroundings that it seemed to complete the picture, and I lingered idly to look at it. The barrister had halted in the doorway to turn over a sheaf of papers that he held in his hand, and, as he replaced the red tape which bound them together, he looked up and our eyes met. For a moment we regarded one another with the incurious gaze that casual strangers bestow on one another; then there was a flash of mutual recognition; the impassive and rather severe face of the lawyer softened into a genial smile, and the figure, detaching itself from its frame, came down the steps with a hand extended in cordial greeting.